Creativity has a funny way of pulling you in unexpected directions. One moment you’re curious about a new medium, and the next you’re knee-deep in paint, sculpting tools, or markers you swore you didn’t need. This post is a look into my creative journey—an ongoing experiment where I try different art styles and mediums, learn what I love (and what I don’t), and embrace the messy, joyful process of making art.
Throughout my life, I’ve explored a wide range of art forms—from digital art and drawing to painting, sculpting, and mixed media experiments. I also studied art in college, which gave me a strong foundation and encouraged me to experiment, grow, and see creativity from new perspectives both in and out of the classroom.
I’ve learned that I love painting—but not in the traditional portraits-and-landscapes sense. Those just aren’t my thing. I’m far more drawn to creating eerie, abstract pieces with hints of nature woven in. While painting on canvas is enjoyable, my real excitement comes from painting sculptures I’ve made myself—it feels like giving them a second life. I love experimenting with different paints and styles, even if oil painting only wins me over in marker form. Spray painting is pure fun, and next on my creative wish list is trying a marker airbrush pen to see what strange and wonderful results it brings.
When it comes to drawing, though, my enthusiasm fades quickly. It feels a bit too quiet and controlled for my taste—almost boring compared to the freedom and texture of painting. I much prefer working with materials that let things get a little messy and unpredictable.
When it comes to resin, I’ve dabbled with both the kind you mix yourself and UV resin. I’m still torn on which I prefer—each has its perks depending on the project. UV resin works best for small, detailed pieces, while the mixed resin shines with larger creations. I’ve discovered that making ring boxes isn’t really my thing, but crafting figures—especially skulls—brings me a lot of joy. My favorite piece, however, was a happy accident. The first time I tried UV resin, I used a mini skull mold. It hadn’t fully cured, so the resin spilled out, leaving a gaping opening. Thinking quickly, I printed tiny brain pieces with my 3D printer, filled the cavity, and painted it. What started as a mistake ended up as one of my most memorable creations—proof that accidents can lead to unexpectedly eerie perfection.
I’ve made plenty of mini skulls, many of which I’ve turned into keychains. I also experimented with a larger skull mold to create a light-up skull, which was a lot of fun. Some of my molds capture a side view of a skull—these are flat—while the others create fully 3D skulls. Playing with the different shapes and sizes keeps each project fresh and a little unexpected.
Of course, skulls aren’t the only things I’ve made. I’ve tried my hand at ring boxes, night lights, elephants, and even teddy bears. Each piece brings its own challenges and surprises, keeping the creative process fun, playful, and just a little spooky.
When it comes to sculptures, I’ve experimented with a variety of clays, including air-dry clay, Apoxie Sculpt, DAS clay, and polymer clay. Of all of these, my favorites are Apoxie Sculpt and DAS clay. Air-dry clay can be frustratingly fragile and tends to break too easily, while Apoxie Sculpt is sturdy and reliable—perfect for pieces I want to last. Polymer clay is fun, but I’m limited to tiny creations because of the size of my oven—mini skulls, little figures, and tiny experiments are all I can manage there, haha. DAS clay is another favorite of mine; I’ve created several projects with it, from a bust to a doll figure, and even some abstract pieces. Each clay has its own personality and challenges, and I love discovering what each one can do.
I’ve had so much fun letting my imagination run wild with sculpture. Some of my pieces are whimsical, like tiny teddy bears and abstract shapes, while others lean a bit darker, like skulls or twisted figures that almost seem alive. There’s something thrilling about shaping clay with my hands, smoothing and carving, and watching a creation take form from nothing. Mistakes sometimes turn into happy accidents, just like with resin—I once added extra detail to a figure that I hadn’t planned, and it ended up being my favorite part of the piece. Sculpting feels tactile, playful, and a little magical, and it always leaves me excited to see what I’ll create next.